Rina Ayuyang moves from cartoonist to publisher with Yam Books

http://robot6.comicbookresources.com/2013/03/rina-ayuyang-moves-from-cartoonist-to-publisher-with-yam-books/

As anyone who read Hensley’s classic Wally Gropius knows,  there’s a stream-of-consciousness quality to his use of language that’s closely tied into surprisingly tight narratives as well as references to pop culture, literature and history. Above all else, Hensley lives to serve his gags, twisting conventional understandings of situations into something still recognizable but quite odd…

Wrestlers in cheap fight films are given noble motives, while actors in art films are reduced to parody. Through it all, Hensley’s patter weaves between detective novel staccato to cheap advertisement for “Colonel Corn” products to nasty zingers… I most enjoyed the absurd Hensley, like his running motif on the primacy of beards running around Gettysburg…

The last chapter is the greatest… Hensley whips the reader from panel to panel with no time to breathe or think, drowning them in pure, glorious craziness.

[Ticket Stub]‘s a testament to Hensley’s unique ability to process culture and images and turn them into something disorienting, hilarious and beautiful.

Thanks Rob Clough!

Read more about Yam Books 2013 releases.
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For those who love indie comics, oddball ideas or the medium of film — or, better yet, all three — the paperback will bring many a smile, and not just for its charming, wholly appropriate die-cut along the bottom edge…

The scenes Hensley illustrates are not iconic; they appear to be chosen as haphazardly (if “chosen” is the correct term) as the films, which range from highbrow to lowbrow, classic to trash, beloved to obscure…

Each is accompanied by a few lines of Hensley’s own contribution. Some double as actual description…

Most, however, read like bad poetry on open-mic night, and in this case, that’s a good thing indeed. ”

Rod Lott gets it! And so should you! (Meaning, you should BUY IT NOW!)

View the entire review here. It’s great.
http://www.bookgasm.com/reviews/comics/ticket-stub/

Ticket Stub by Tim Hensley. Yam Books

I’d by lying if I said I didn’t have to do a bit of online research, to make sure this was the same Tim Hensely — you know, the one who gave us the Archie-in-depted adventures of umpteen millionaire teenage playboy Wally Gropius. Same guy, it turns out (and not the Blue Chair Records Americana recording artists with slightly better SEO). Ticket Stub culls the nine issue run of Hensley’s 90s mini of the same, drawn during the cartoonist’s time as a close-captioned writer. The pages are filled with drawn stills from a diverse array of films, sketched as stories in their own right and retaining all the strangeness of a truly odd job indeed.  Ticket Stub culls the nine issue run of Hensley’s 90s mini of the same, drawn during the cartoonist’s time as a close-captioned writer. The pages are filled with drawn stills from a diverse array of films, sketched as stories in their own right and retaining all the strangeness of a truly odd job indeed.

View all the January picks at the Boing Boing website: http://boingboing.net/2013/02/01/comics-rack-boing-boings-co-5.html

Sky in Stereo #2
by Mardou
(45 pages, B/W, softcover)
UK/St. Louis cartoonist Sacha Mardou brings us the 2nd installment to her critically-acclaimed story of Iris, a young woman turning eighteen, slowly losing her tenuous grip on her world of burger-flipping, drugs, and Rock ‘n Roll.

Hagelbarger and That Nightmare Goat
by Renee French
(B/W, softcover)
A stunning vignette of Renee’s favorite bulbous, aquatic hero in a perilous adventure with a villainous goat.

Smatterings of Onsmith
(working title)
Chicago cartoonist, printmaker and illustrator, Onsmith lets you in on his funny and sometimes outlandish world in this mix of never-published strips, favorite out-of-print short stories, and mesmerizing drawings.

We are honored and thrilled to be working with these three unique artists.

To get updates on these upcoming titles as they become available, email us at info@yambooks.com

For more information on Yam Books, current books for sale, go to our website, www.yambooks.com

thanks!

Because of the holly in his heart, Tom Spurgeon has put together an impressive and comprehensive 2012 Holiday Gift Guide on The Comics Reporter website to help in your quest to find the perfect gift for your perfect loved ones. Yam Books’ “Ticket Stub” is included at #20 of his list along side other exciting and new titles from micro-publishers Uncivilized Books (The Voyeurs, True Swamp, Post York), Rebus Books (Barrel of Monkeys), Koyama Press (Sunday in the Park with Boys, Eat More Bikes) and Secret Acres (The Understanding Monster):

“Yam Books’ Ticket Stub was a huge surprise to me and maybe the most fun I’ve had in recent weeks reading a comics trade.”

Nice!

Also, Ticket Stub is now available in the following comics stores:

Fantastic Comics, Berkeley, CA
Family, Los Angeles, CA
Secret Headquarters, Los Angeles, CA
Mission Comics, San Francisco, CA
Quimby’s, Chicago, IL
Comix Revolution, Evanston, IL
Atomic Books, Baltimore, MD
Big Brain Comics, Minneapolis, MN
Desert Island, Brooklyn, NY
Forbidden Planet, New York, NY
Floating World, Portland, OR
Reading Frenzy, Portland, OR
Copacetic Comics, Pittsburgh, PA

And of course, all our books are always available to purchase at our online shop!

http://www.yambooks.com/shop/

So happy shopping, y’all!

Oh New York, you sure do take my breath away!

You too, BCGF… literally.

As someone who is deathly afraid of flying, I will always begin my con reports with details of my flight experience because the amount of agony and stress over flying equals the same amount of time and energy trying to plan for a comics show in another city.

The San Francisco airport had an amusing exhibition on classic board games at my gate that did its best to calm my nerves before I had to board the plane. And, okay, the flight was fine, thanks to watching episodes of Real Housewives of Beverly Hills and a ridiculous reality show about the glamorous life of young people in the Silicon Valley which according to this show is based only in the Pacific Heights neighborhood of San Francisco (Ai yi yi).

Here’s the view over the majestic island of Manhattan. You can’t help but overcome your fears and fall in love. Anyway, right after I got off the plane, I got a nice welcoming text from Annie Koyama. It made my heart melt because I was dreading the thought being all alone in Manhattan which is silly because, hello, 10 gazillion billion people live in Manhattan and it’s definitely true what Ol’ Blue Eyes says: New York is a “city that NEVER sleeps.” Driving from the airport through Long Island, I could see a few signs of damage caused by Hurricane Sandy. Trees were knocked down, taking huge chunks of the sidewalk with them. Flags and signs were ripped apart. However people were still out and about which was comforting to see.

I met up with Lark Pien and her sister Jane who were hanging out near my hotel in the Garment District. They were looking for buttons. Jane had suggested going to the nearby Korean fast-food joint, Bon Chon. I enthusiastically accepted because it was one of the food suggestions that my friend Annie Yee told me about the day before, and, um, HOLY CRAP, the chicken there is amazing. Talk about CHICKEN JOY (Jollibee reference)! Anyway, it was nice seeing the Pien sisters together. They told me that they had volunteered the day before, giving away food and supplies to people in Red Hook. Really cool that they did that. Lark showed me the war wounds on her arm that she got from some National Guardsman trying to fling a bag of potatoes or something over her head, or wait, I think it was from a fist fight with one of the guards. Wow, Lark.

Later on, because we are pigs, the three of us met up with Annie Koyama, Robin and Dan Nishio for MORE chicken at Torishin, a yakatoriya that Robin suggested. Robin’s food suggestions are always A++ and this was no different! My favorite was the pork belly and the crispy skin, and I did manage to eat one or two pieces of vegetable because I’m on a diet. What?

The next day, I ventured over to Williamsburg for the big show. I was there a little early and there was a funeral happening at Our Lady of Mount Carmel church, next to the show venue so I strolled around the neighborhood a bit. I stumbled upon Desert Island Comics! Cool! I eventually high-tailed it back to the show, and met up with Tim Hensley upstairs in the gymnasium who was already setting up the Yam Books table. What a guy! If you meet Tim on the street somewhere, ask him to show you his watch which is a LCD screen that scrolls out the time and the words “Ticket Stub”. Here’s the pic of the venue during the calm before the storm:

The first official purchaser of Tim’s book, “Ticket Stub” was Dan Nadel, Picturebox boss-man and co-organizer of BCGF. He managed to sneak over before the show opened and the crowds would be rolling in. And boy did they ever roll in! Hoards of people! Masses! Mobs! There was some talk before the show, that the aftermath from the hurricane and storm would keep people away, but that sentiment was quashed right from the start. I’m not sure if the show is always that crowded, but after such a crazy natural disaster, it was really uplifting to see. The BCGF Tumblr site’s photo of the show demonstrates so accurately how crazy it was the ENTIRE day:

I kept looking around in amazement. The sea of people made me really happy! Lots of people compared the feeling of this show to this year’s SPX which I did not go to. BCGF was just a great morale booster for the comics scene. I was physically hurting from the lack of ventilation due to the crowds (I’m really bad with hot weather, that’s why I moved to the Bay Area), but the happiness of seeing so many people in one space, weaving through immense aisle traffic for comics made me forget how dehydrated and sweaty I was. (Also I really shouldn’t have worn a sweater!). I do have one regret though which was not being able to venture out to see cartoonist heroes like Roz Chast and Richard MaGuire, or to get to purchase the awesome books from Bill Kartalopoulos’ Rebus Books or Lilli Carre’s debut book “Heads or Tails” — or basically everyone’s book because people who would visit our table would always be carrying something amazing. Luckily though, many were nice enough to come around to visit our table.

It was a great honor to have Matt Groening stop by to pick up a Ticket Stub. He talked to Tim about his contribution to the Treehouse of Horror, Issue #15.

This is a great pic taken by Lark of Charles Burns with Tim. I swore I saw Charles at Torishin the night before and when I asked him about his dining experience, he assured me that he wasn’t actually there and that he has doppelgangers all over the world. One time, he found himself face to face with THREE doppelgangers or I guess that would be a dreimalganger? Anyway, I told him that “he” ate a lot of chicken skewers like a champ.

It was great to finally see some of the NYC dudes that rarely come to the West Coast shows, like cartoonist, photographer, book designer Jonathan Bennett! He has been working on some strips in The Believer, but he promised that he was in the process of making more comics hopefully for next year. I can’t wait!

Here’s Matthew Thurber and Dash Shaw. Dash expressed his thanks for having a collection of Ticket Stub published. I remembered him writing about the minicomic on the ole Comics Comics blog and I was really glad to hear that many people shared the same love of the Ticket Stub minis as I did. Lots of people were never able to actually see them since Tim only printed about 20 copies of each issue.

And, oh lord, Gary Panter! He and Tom Kaczynski were signing at the Fantagraphics table. I’ve been a major fan of Mr. Panter forever, especially because he says great things like this. I also got to see Tom K’s new book with Fanta, “Beta Testing the Apocalypse”. The colors look great and there is new stuff in there, folks! Got to get that and his latest offerings through Uncivilized Books. Post York and True Swamp, GEEZ!!

Here’s a blurry Chris Ware with a Ticket Stub! I kept hearing that his panel with Art Spiegelman and Richard MacGuire was off the charts. I hope to see video of it soon! I told Chris that it was refreshing to hear at his talk with Dan Clowes at the Oakland Museum of California that he can be self-depricating about his work and talent even though he is a complete and utter genius.

It was nice to see Chris Cilla’s face all the way from Portland. He had these great silkscreened t-shirts at his table. Just a great guy all around! Other Portland folks like Julia Gfrorer, Zack Soto, Aron Steinke and Jason Levian were also in attendance!

Adrian Tomine was able to take a break from signing at the D+Q table to get a copy of Ticket Stub. I’m still trying to figure out what Tim drew in Adrian’s copy.

As I was walking around, scrounging to break a 20 dollar bill for some ones or fives like a character in Walking Dead looking for food or a first aid kit,  I ran into one of my favorite people, Tom Spurgeon. We talked first about sports, social media and then comics. We know our priorities. It was nice to finally meet him as it has been over 12 years since I’ve only known him through Comics Reporter, one of the best comics websites out there today. Tom moderated a panel with Tim, Charles Burns and Anouk Ricard. I can’t wait to see video of that too!

I was so happy to finally meet Nick Abadzis in person too, whose book collection of his “Hugo Tate”  comic just came out last Spring. We’re going to have him on the Comix Claptrap soon, so make sure you stay tuned. Yes, Thien and I are still podcasting. Sorry.

Also nice to see another West cartoonist, John Pham make it the show. John had these gorgeous video game zines printed on the Risograph, as well as stunning paintings that he exhibited at Giant Robot recently.

The show had a really nice mix of cartoonists in this show! Veronica Graham, from Oakland-based Most Ancient, had a table and came over to say hi! She had these insane books made out of vellum! It was also a welcomed surprise to see Damien Jay, who traveled from LA to visit his family in New York. Chris Diaz from San Francisco showed us all the drawings he got from Gary Panter, Adrian Tomine and Charles Burns. He walked away with a nice piece of original art by Tim. I got to talk to Warren Bernard, Executive Director of the SPX show about the amazing guests he had at the show two months ago. Also, I was very honored to have Nine Antico, one of the featured guests of the show, pay us a visit. In general, BCGF was a huge success for Yam Books. I can’t think of a better way to end the convention season. We sold a lot of Lollygags, and Ticket Stub did really well which made both Tim and I very happy especially since the show marked the end of his Transcontinental Ticket Stub Tour.

After the show, Tim and I got to stop by Desert Island. They have the latest issue of Smoke Signals which Tim has a full page spread of Alfred Hitchcock strips. You need to definitely check that out! We dropped off some books and then met up for Thai food with the ole Artist With Problems (AWP) crew: Alex Holden, Karen Snider, Jon Lewis, Tom K, Robyn Chapman, Robin Enrico, and Sam Henderson. They are always so much fun and so welcoming. It was hard to leave those guys, and hard to leave NYC in general.

I could go on and on about how the next day I visited the Ripley’s Believe it or Not Museum with my high school friend Becky and her family,  and being mesmorized by Pierpoint Morgan’s amazing library, but I will save you the trouble. I will say though that New York was really great to me. I’m still crushing on the city big time.

JP Morgan had three copies of the Guttenberg Bible. That jerk!

Thank you to all the people who visited and supported Yam Books at the show! Thank you to Robyn Chapman for helping and hanging out with us at our table. Huge props (can we still say that?) to Gabe Fowler, Bill Kartaupolos, Dan Nadel enough for putting together a well-curated show in the midst of chaos the past couple of weeks.  And lastly thank you to Lark Pien and to Tim Hensley for making each show that Yam Books has attended this year such a success. We’ll see ya guys soon at a show near you in 2013!

YAM BOOKS GOES TO THE BROOKLYN COMICS AND GRAPHICS FESTIVAL

Sandy? Nor’easter? Oh my! Yam Books will be making its way to the Brooklyn Comics and Graphics Festival (BCGF)! The show marks the East Coast debut of our first two books, Lollygag and Ticket Stub! We’re so stoked! What’s even more exciting is that West Coastie cartoonists Tim Hensley, Lark Pien and myself will be there to celebrate and to sign books and show off original artwork, prints and comics comics comics! Also, Brooklyn cartoonist, publisher and teacher, Robyn Chapman will be hanging out with us presenting her new book “Drawing Comics Lab: 52 Exercises on Characters, Panels, Storytelling, Publishing & Professional Practices.” We hope you can come visit us at Table U35!

Tim is a featured guest at this year’s show and will be on a panel later in the day, and Lark is in a group show in Manhattan at the Museum of Chinese in America. See details below.

The Narrative Collage: Burns, Hensley & Ricard
The mainstream publishing industry has often imposed the standards of conventional literary fiction on the comics form, suppressing comics’ essential status as an assemblage of potentially—and productively—discordant fragments. Charles Burns (Black Hole, The Hive), Anouk Ricard (Anna and Froga) and Tim Hensley (Wally Gropius, Ticket Stub) will discuss the possibilities and pleasures of crafting narratives that capitalize on the collage-like qualities of the comics form—in matters of structure, style and format—in a conversation moderated by Tom Spurgeon.

Knitting Factory
Saturday, November 10, 2012 – 4:30PM
361 Metropolitan Avenue
Brooklyn, NY 11211
http://bk.knittingfactory.com/

Marvels and Monsters: Unmasking Asian Images in U.S. Comics, 1942-1986 and Alt.Comics: Asian American Artists Reinvent the Comic
Alt.Comics extends the conversation of Marvels & Monsters into the present, when sequential art has become a dominant cultural force and communications medium, driven in no small part by Asian American creators. The exhibition will explore how Asian Americans have used the comic book medium to both critique old representations and relate their stories to a wide audience, featuring new and early original artwork from artists Gene Luen Yang, Derek Kirk Kim, Thien Pham, Lark Pien, Jason Shiga, GB Tran, Jerry Ma, Larry Hama, Alex Joon Kim, and Christine Norrie.

Museum of Chinese in America
September 27, 2012- February 24, 2013
215 Centre Street, New York, NY 10013
http://www.mocanyc.org/

We are excited to be visiting one of our favorite cities in the world and to see all the great cartoonists and their work in this show! We also appreciate the hard work that the show organizers have made especially in the past week to make this year’s show happen. We cannot wait to see you, NYC!

The Brooklyn Comics and Graphics Festival
Saturday, November 10th, 12-7 pm
Our Lady of Mt. Carmel Church
275 North 8th Street, Brooklyn, NYC
Free and open to the public.

http://www.comicsandgraphicsfest.com